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“Thankful,” a digital story by Sarah Schmidt.

How to create a polished, powerful digital story for yourself or your nonprofit

Target audience: Nonprofits, social change organizations, educators, foundations, individuals. This is part of Creating Media, our ongoing series designed to help nonprofits and other organizations learn how to use and make media.

With millions of videos floating around on the Web, I’d like to make the case today for a genre that has received far too little attention: digital storytelling.

Digital storytelling is a craft that uses the tools of digital technology to tell stories about our lives. Done properly, storytelling can be a powerful, evocative way of communicating

Let the people your nonprofit is helping tell their own impactful stories.

themes and stories, often touching us in deeper ways than one-dimensional videos that rarely probe beneath the surface of people’s lives. Nonprofits, especially, can use this technique to convey powerful, emotion-filled messages — by letting the people you’re helping tell their own stories.

If you plan to do it yourself, see our Visual story checklist to make sure you follow all the steps involved in creating a compelling story. You may also want to sign up for a digital storytelling workshop (see bottom), which can last from a few hours to a full day or two and generally costs a modest tuition fee. Either way, follow the following steps and you’ll be on your way.

Decide on the story you want to tell

Step 1You probably already have a person or subject in mind. Think small. Focus. Don’t get caught up trying to convey all the aspects of someone’s life — you’re not writing the great American novel, you’re creating what will optimally be a 3- to 5-minute work that recounts a personal tale and reveals a small truth.

KQED Digital Storytelling Initiative

What form should your story take? In their decade of leading workshops, Joe Lambert and Nina Mullen of the Center for Digital Storytelling list these main varieties of digital stories:

• The story about someone important. Character stories center on a person who’s touched you in a deep way. Often, these stories reveal as much about the narrator as about the subject of the piece. Memorial stories pay tribute to someone who passed on but left a lasting impression.

• The story about an event in your life. Travel stories — stories about a personal journey or passage — can be effective if they result in the narrator being transformed by the experience in some way.

• Accomplishment stories about achieving a goal, graduating from school, or winning an honor can easily fit into the framework of the desire-struggle-realization structure of a classic story. Continue reading →

On June 19-20, 2009, I’ll be at New York University’s School of Law attending the Open Video Conference. To my surprise and delight, this is turning out to be quite a big event.

Socialbrite readers get 15 percent the registration fee (regularly $75 for individuals and nonprofits and $200 for companies). The event will be held June 19-20 at NYU.

Shay David of Kaltura

The open source landscape has come quite a long way in the past few years, and its importance to the media landscape can hardly be overestimated, said Shay David — co-founder and CTO of Kaltura and a fellow at Yale Law School’s Information Society Project — by phone as he sped to the airport for yet another trip abroad.

“If you want an open structure of media to guarantee that the future of media is not proprietary and locked down, then open is the only way to go,” he said. “If we care about democratized media, where citizens in their living rooms can access programming from more than just three or four media conglomerates, then we should care about open video.”

But David’s warning is not a call to arms against entrenched corporate interests. “Millions of lines of code have been written in the open video world without a lot of success,” he acknowledged.

Rather, it’s a call for reasoned partnerships: public and private, new and old, for-profit and nonprofit. We need to think beyond licenses and consider how to build real businesses that are built on open and democratic principles — and translate that into real economic value. In short, he argues that open video is not just about serving the interests of users. Open video is good for business, too.

Continue reading →